what initially started as idea for a dj-duo project quickly turned into a new production outlet for german producer david hanke. he is well known for his northern jazz, funk and afrofunk productions under various monikers ever since his first release back in 2008. the most recognized surely is his renegades of jazz-alias.
after starting to fully embrace the afrofunk vibe with his 2016-released renegades of jazz album moyo wangu as well as two dem juju poets singles in the same year it’s now about time to release “liberated thoughts” - the longplay debut for dem juju poets.
having spent an influential part of his childhood in arusha, tanzania and engrained the music of east africa, his sound combines these influences with modern, more club-orientated electronic afrofunk productions which defines the core sound of dem juju poets.
with “liberated thoughts” hanke refines his afrofunk vision for 2017 informed by his experience as a dj in venues all over europe which naturally led to a more floor functional production approach.

it really feels like we (aka mad mats & tooli) have been around way longer than 5 1/2 years with local talk, but it s really true what they say, time flies when you re having fun! from what started as a somewhat simple and almost primitive urge to create a small house imprint has now grown into a much bigger affair. we really tried hard to keep the label from getting stuck in any genre (remember 90s house?) and to always keep the local talk relevant, curious, diverse and with a healthy dose of underground mentality. from our very first release with bassfort s excellent moon shadow in the summer of 2011, we had a crystal clear vision of what local talk should represent...house music in any way, shape or form! over the years we released soulful, disco, jack, afro, vocal, deep, jazz, tech, latin, old school, acid, uk, berlin, new jersey, detroit and of course chicago inspired house music. if it made us bump...we put it out! this brings us up to today and about +80 releases later. we thought about how we best could sum up these first 5 1/2 years and immediately the image of blaze s classic album 25 years later popped up. besides the fact that it s an amazing album cover it also a good representation when different musical genres fuse together. it s not strictly a house album but just as well a r&b, reggae and soul album. this fusion and variation of house sounds is something that we ve tried to capture on our 5 1/2 years later compilation, split into two parts. on part 2 you ll find a high energy disco rub from parisian s3a, a truly deep and soulful vocal jam from boddhi satva & sly johnson, a deep uk garage production from smbd (aka simbad), a dark and electronic affair from toto chiavetta (yoruba) and finally a musical acid number with that magical bristol touch from newcomer marcel lune. all in all we think we got most angles covered and hopefully this album will make you spread that chalk on the dance floor and get down...local talk style

rdma returns to tape hiss with casbah ep. the long time selected five tracker contains different compositions for the lovers of raw rhythms, the chasers of strange soundscapes and for the fanatics of twisted cuts alike. if you like it varied, it is definitely a record for you.

jos & eli might seem unknown to many electronic music lovers but they have been releasing great music since 2013. they have been sending me music for a long time and i think we have spend about a year developing this first release on noir music, making sure it represented their debut on the label perfectly.
when you hear the adrenaline hunt release you will notice that the 2 guys from tel-aviv have developed into a great production team over the years and these 3 tracks included here are not only cleverly crafted for the deeper dancefloors but can also be enjoyed on home stereo’s.

innocent music presents their 9th vinyl only release called vinyl only tools vol.5! this time our label boss aney f. invites giuseppe cennamo, 12 tones & f.eht!

groovin recordings is proud to repress another masterpiece of the blaze duo, kevin hedge and josh milan, here under the black rascals alias. in 1993 they released only few singles that still represent a landmark in the early 90 s deep-house scene. after the repress of their first single, “keeping my mind”, now it s time for “so in love”, featuring the legend cassioware on vocals

acclaimed russian producer, dj and live musician kito jempere is back with a stunning second album, this time on italian label hell yeah. entitled sea monster and due for release in early 2017, the nine track album is a fantastic fusion of live instrumentation and electronic production. kito jempere is a musical polymath. the russian artist, producer, multi-instrumentalist and band leader has been involved in many projects over the last ten years plus. these range from rock to acid jazz to electronic bands and often call upon a rotating cast of other members who are all equally talented. from playing in small bars to headlining big shows for thousands of people in saint petersburg, he has put out a number of albums and singles on labels like freerange, room with a view and hell yeah and djs around europe. jempere plays live as the kito jempere band, and here he calls upon his bandmates for their many skills to lend the album a richly musical feel.

docile 27 is a mesh of simple harmony, rational rhythm, and vocal non-sense. each release brings a deeper dimension to the concept of docile. docile relies on unconventional bass lines that move a stripped down funk through drunken tones. vocal clips pop and yip inside the 4/4 time. clean edits and effects bind and define the relevance of each ingredient. dociles mission is to tease out a style of minimal that is neglected by a distracted world.

gardens of god sodai imprint continues to unearth creative production talent from the label’s native city of vilnius with the third and latest artist from the city to feature on the label. introducing talassa barda for his debut introducing three expertly crafted techno cuts. lead track wolf has a howling big room sound effect and a dark techno underbelly. human with it’s haunting like qualities develops into a peak time monster that is sure to thunder in vast spaces over the summer. finally, bleed is a rolling acid tinged track that fuses electro, breakbeat and techno for possibly the most interesting of all three.

schmer-007 smoking is still bad for you volume 1 is here and contains old school and new cool tracks from all the original schmer culprits plus some loops from our new friends. dietrich schoenemann and prototype 909 dug their tracks out of their vast archives of unreleased originals. dj rx-5 and bpmf delivered some hot new schmers to get us moving again. for the last 20 years we’ve all been tormented by the great issues facing mankind and most vexing among them of course was when will the next schmer record finally come out? i am happy to say that the answer, my record distributing friend, is now! prototype 909 demands that you ( redacted ) the volume! a track recorded in 1997 and finally getting released for the first time here. prototype 909 was a group from new york that made techno in the 90s. since then, the three members of this group all went on to do things. #truefacts dietrich schoenemann has been so busy being one of the last men cutting all the records in the world that he hasnt had time to organize his catalog of unreleased gems. i distracted him with the old look over there trick and stole 8 feet from him while he wasn t looking. (hopefully he didn t recognize it while he was mastering it) the last schmer vinyl was dj rx-5 a taste for crap ep from the then moscow based very underground dj compass vrubell. nina kraviz thought it was so crappy she put a track from it on fabric 91: nina kraviz, so i asked alexey to make some more crap. he did it his shway and this is the result. ( ps he still has all the patterns for the rx-5 from the original release so remaster, remixes and rereleases are in schmer s future, huzzah!) bpmf the original schmer artist had nothing better to do so he kommt back and gave us this track. we love to torture the engineer so we just had to include some loops: rhizome is the alter-ego of moscow wunderkind nikita zabelin. philly based hero/victim has been victimizing soundsystems up and down the east coast with his mad live performances. the wise caucasian is a pseudonym for some super famous london based producer and label owner, or at least thats what he claimed when i picked up his bar tab.

in order to get lines of perspective moving, aufgang transcend their instrumentarium. from this organic corpus, they manage to extract a hand-stitched, deeply human kind of music. this exhilarating craft builds bridges between disciplines, skilfully pulling together acoustics and electronics while making bold connections between different eras. ancestral pianos are groovier than any sequencer, the synths they use are antediluvian and the drums are constantly oscillating between metal and skin. they may well be the first truly accomplished and unabashed explorers of the channel connecting various approaches which, so far, had at best only been piled up. aufgang transcend the confines of time to bring the past back into the future.
180 gram double vinyl cut at 45 rpm - download code, a3 poster and embroidered shield (patch) included.

the greek beat-head massive is represented once again on the cold busted label with beatbop street. it’s an album from the cool new project andyfellaz, a collaboration of athens-based producer billa qause (beatquick) and percussionist nikos martziokas (wolfy funk).

another certified 90s hip hop anthem on 45 for the first time courtesy of 5 borough breaks. original flavour s -can i get open- was an underground smash at the time and is also notable for one of the very first times global rap star jay-z appeared on wax - classic material no doubt. as always, the b-side reveals one of the sample sources for the track, this time young holt limited s -wah wah man- providing the neck snapping drums.

after being compared with mayer hawthorne on his first world acclaimed* classic soul album, treat me right, john milk is back with paris show some love a piece of modern and engaged r&b. synthesis between jay dilla and prince, john milk delivers a genuine and solid recording based on real to real tape machines and electronic sounds. previously working as artistic director of his own record label (karecords) and collaborating as a singer with mr president and blundetto (heavenly sweetness, favorite recording) john milk is now on a new vibe, merging all kind of recording processes, live recordings on reel to reel 8 tracks tascam, introduicing beatmaking and hip-hop culture with numerous machines, samplers and keys... a musical patchwork which has been open to all kinds of experi-mentations. songs where composed on top of instrumentals. the creative processs is about delivering the right energy once the music transmits the appropriate atmosphere. all songs are focus on having catchy hooks as much as conscious lyrics. paris show some love is a message album. creating music in the city of love during one of the most violent year for a long time... this contradiction has been the fuel to his creativity.the song «paris show some love» is specialy dedicated to the tragic night of november 13th 2015. john milk offers a person-nal reflexionon our capacity to find our way and moves beyond the lines and create.

bas roos is a dj and producer from rotterdam, the netherlands. he started dj ing at the age of 16 after spending some time on making his own music. a year later he released his first ep and from that moment on he started to develop a unique and fresh sound which has seen releases on phil weeks’ robsoul label as well as shir khan’s black jukebox disco house series on exploited. the 18th edition of black jukebox sees the young producer deliver 4 new tracks which work magic on the dancefloor. do yourself a favor and pick it up before this limited collector’s item sells out.

reaching a near-mythical status amongst fans of free jazz s most worldly intrepid explorer, these seldom heard paris soundtrack sessions known as music, wisdom, love have evaded collectors grasps and confused historians for exactly 50 years. now available for the first time ever and licensed from producer and director jean-noel delamarre himself.

mirror would turn out to be pearce’s final offering as fsa for 15 years, but at the time of its release in 2000 it felt like the start of something exciting and new – it was seen in some quarters as one of the first great records of the millennium. sonically, it was pearce’s most accessible and melodic album. “his sombre, acoustic folk still recalls the gentle melancholy of nick drake,” said the pitchfork review, “but for the first time, the melodies and lyrics can be clearly deciphered.”
repress on heavyweight 180 gram vinyl with download code included.

20th anniversary vinyl repress. 180 gram heavyweight vinyl with download code in gatefold sleeve.
new lands, released in 1997, was album proper no 3, described by pearce as “phase two” of the fsa project. it found pearce operating alone and finally realising the guitar sound that had been in his head all along. “something like ar kane’s god-like up home!,” he revealed in an interview at the time. it was a stark and often challenging listen (pearce stated in one interview that it was originally going to be called fuck you!), yet utterly beguiling.

arttu presents the 2nd release on his own label cyblo. 4 prime time club cuts!

at a recent gig in macedonia, he played an incredible “live pure data” set, using real-time graphical data flow programming to create all his own sounds. with this huge wealth of knowledge and a hard drive stacked with unreleased productions, his ‘spookz ep’ is long overdue. he describes his music as industropical or funkyndustrial and when you hear his two original cuts on this ep, these descriptions become more apparent. ‘spookz’ is dappled and harmonious with sweeping electronics and in-depth grooves. ‘prance for me’ is atmospheric and quaking in its deliverance, showing all his innovation and creativity. the ep comes with two stellar remixes. the first is by el prevost who delivers a grinding reworking of ‘prance for me’. el prevost has been forging his sound over the last decade, gradually shifting into the house and techno scene in particular for uk label, third ear and his most recent self-run label, no speakers, which boasts a varied artist roster that includes doorly, red rack em, wbeeza, 65d mavericks and gabbi lopez. rommek’s remix of ‘spookz’ follows and shows why this recently emerging artist is fast becoming a definitive force on the techno scene. fellow loose lips collective member, rommek made his production debut on weekend circuit, before joining james ruskin’s iconic blueprint label who released his ‘moth hole ep’, plus an appearance on their 20th anniversary compilation, ‘structures and solutions’ gaining him an admirable reputation for textured sound designs.

malka tuti presents its first label collaboration, this time with the italian roccadisco, and label bosses ed rodion and hugo sanchez. ed and hugo (aka alien alien) are no strangers to pitched down sexy dancefloor tunes. with previous releases on slow motion records they ve made a name for themselves as sexy bastards. with perfidia they present the vocalist igino, a friend from home. together they ve boiled a slow burning, constantly evolving song for the late late hours. on the remix for the a-side malka tuti present a collaboration of 2 disco legends ray mang and severino panzetta, that add a medditerranian flavour to the original tune, easing things up... on the b-side we have another slow burner with bella l estate, joined by a top remix by tel avivian prodigy naduve.

after a temporary break away from music to work on other projects foreign concept is back with the skit city ep, the first in a series of new releases.
inspired by his long time friend jack ramsay s new graphic novel of the same name, the title track, featuring mancunian mc fox, creates the perfect sonic backdrop to the intricate aesthetic of the skit city book from which the artwork is taken. watch out for the video coming soon.
a very welcome return to the scene complete with a beautiful collaboration with halogenix and a killer remix by lsb.

there was a time when to die was something slightly different from what it is today. back in the last days of the middle age, some hidden monk was concerned about how to die properly, according to the catholic standarts of that era, so he wrote a book that was a cornerstone in that period. this has been the leitmotiv and inspiration in the concept that drives this album, the ars moriendi book from 1415, a book that gave some clues about how to die properly, avoiding lack of faith, despair, impatience, avarice or spiritual pride, all those actually track titles in this compendium.

this amazing ep from dubsons has an amazing analog sound with a mixture of tracks. we have a bouncey groovey track, a driving housey track and an underground minimal dark room track. all these tracks have had amazing support from the likes of rhadoo, petre inspirescu, nu zau and lots more. this ep has been in the pipeline for some time and is still doing the rounds at various events and festivals with the big boys. burghez has an irie, creepy feel which would go down well at any after hours or main time set and is our personal favourite here at trapped ldn.

the divergent label is set to build on the success of its first release with a standout second single this spring, this time from exciting new artist end to end, co-produced by label boss bimas. the single also features a remix from the head honcho as well as stephan krus and is another fine package that is set to further cement the reputation of this up and coming imprint. paolo aliberti is an italian artist who has worked with labels like melodica and stealth since starting out in the 80s. his big and bouncy techno sound has a focus on melody, groove and harmony, and he recently linked with the ceo of media records to start this new alias end to end

bottenvikens silverkyrka welcomes you to a collective trip towards eternity with the ep arken, a sequel to det stora uppvaknandet. the congregation has recorded tracks to convey a sensation of dance as salvation. contributing to the record are anna levander, sebastian adolfsson, ingrid marklund, ulrika stenhamre and mats wikstroem. the mission of arken is to gather, listen, dance and together end time.
pressing on transparent yellow vinyl.

for his 2nd ep on the parisian label ondulé recordings, dj un*deux decided to surprise us. with -tool for fools-, his hip hop background is talking......with -two for bass- that s the dark side of dj un*deux, the kind of track you keep preciously for the peak time when you need a jumpin bassline... and finaly with -groovy vapes-, this is a pure soul cut that ends the trip.

tokyo s tresvibes soundsystem (satoshi otsuki, dj pi-ge, kikiorix) releases 3rd release from their vis rev set label. this time they feature noha who previous released from low to high, nabuco and second step records. noha shows his versatile talent in 3 tracks.

nach ihrem indian stories release auf lost & found setzen bruscagin & visnadi nun ihre saga über die mysteriöse zivilisation agartha mit der zweiten episode auf siamese records fort. während sie dabei den spezifischen melodic techno-sound ihrer venetianischen heimatregion repräsentieren, kreieren die beiden produzenten ein eigenes, selten zuvor gehörtes sounddesign

blk drp is back. this time michael klein invited eduardo de la calle and twr72 to support the #2 of his label. deep groovers and strong smashers in here.

saint & don t introduces it s second vinyl release, this time we have one of our favorite producers that needs no introduction. felipe valenzuela delivers -prototypes-, some selected tracks from his music series, where he shows the eclectic side of his career, this release also includes a collaboration with dorian paic (raum...musik), reshaping prototype 23 togheter.

chicago basement trax follows up from an amazing jordan fields release solidifying it s legendary status with another home town hero: mr. vincent floyd! check out this re-issue of a highly sought after 1995 ep originally on relief records no less! looking for that good old feeling get this in your hands. nothing but pure chicago grooves covering the styles you love from the time period.

originally released in 2005, this sought after 12 inch from west end offshoot west end blue gets an exclusive reissue for 2017. a four track slice of night time detroit soul comes backed with a remix from fellow motor city resident theo parrish.

lenny limbs looks on as the time for automation draws nearer. what is our fate you ask? the robots are coming. banoffee pies records introduce the sixth insert to the original series with a mechanically inspired sample infused three track heavy weight. disclaimer: this record is for the dancefloor. tip. for the lovers. banoffee xx

having honed his sound on a string of feted self-released cassettes released on his own harsh riddims label - which has also put out everything from bizarro hip hop to gleaming synth pop - and dropped a hyped 12” released on the cgi imprint, the healthcare ep finds fit of body delivering his most accomplished work to date. five woozy original tracks jammed out on second hand drum machines, bass guitar, cheap mics and creaking synths, this is techno as it was first imagined, raw machine soul made for strange times and unknown futures.

auf ihrem selbstbetitelten album sind def leppard so frei und ungezwungen wie noch nie zuvor. das merkt man ihrem sound an. sowohl alteingesessene leppard-fans als auch hard-und melodic-rock-liebhaber jüngerer generationen werden ihren gefallen daran finden.
das 180 gramm doppel-vinyl erscheint im klappcover.

deep purple’s 19th studio album sees the light of day. it is being released by the german based label earmusic. the band’s last studio effort dates back to 2005’s ‘rapture of the deep’ so this is a long time coming.
this will make album number four to feature steve morse on guitar and the third with keyboardist don airey. as previously reported, concrete information on the album title is, shall we say, up in the air. “there’s a big question mark over the name at the moment. and possibly an exclamation mark as well.” vocalist ian gillan told classic rock magazine.

pressed on white coloured vinyl in a custom shrink-wrapped sleeve and containing a download code to redeem mp3s. 

the new testament of funk is back to preach the new funk! it’s been a while but now is the time to get the groove again. after the success of the last ntof-samplers many believers were waiting for new stuff. there you go! henry storch and chrispop took their time to compile a sampler for all you funkers, groovers and hip cats. ntof vol. 6 delivers previously unreleased tracks such as „in control“ by sons of time or „where do we go from here“ by the mighty mocambos feat. lee fields and exclusive remixes of andy cooper’s „chasing the funk“ and „get up & get it“ by reiner witzel & datfunk. so just like the former ntof the new testament of funk vol. 6 contains the hottest tunes you can get. amen!

the only time you wear a tuxedo is when its time to party. so says legendary west coast player snoop dogg on the opening track of tuxedo ii. the blessing of the doggfather is of special importance to mayer hawthorne and jake one, whose second album as a duo finds them at the forefront of a new wave of gangster boogie one that owes as much to g-funk as p-funk. this is the territory of pre- and post-hydraulic low riders: a mélange of cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk

for the 6th ( djebali ) reworks, remixes from chris carrier on the a side, and diego krause on the b side

tief welcome jon sable back for his second release on the label, this time backed with a remix by his new zealand buddies chaos in the cbd.

balance recording introduces another underground imprint * balance traxx* inspired by time spent in italy , this new series called (word of mouth) also * parola di bocca*. this 4 tracker feature something old and something new. a new imprint project with chez damier and ben vedren new joint venture h2h called * road trip* a house grove with a limited mix by hugo lx. the project also features chicago producer garrett david (courtesy of balance ) with this underground track that s been played at the panorama bar over the last year, we also bring you the classic by chuggles * thank you* produced by ralph lawson and chez damier with remix by uks classic underground producers xpress2, the last track is a remix of french connection * speechless* with remix by italian producer nicholas. the project was created as a dj tool project.

originally released on the v.a. quintessentials 50 and making rather big waves, grooff machine from ponty mython gets the remix treatment for some more dope grooffs! chicago hotshot chrissy (the nite owl diner, classic, razor n tape) puts enough disco and acid in it and offers a great clubby alltime classic. ponty himself fuses lost of house, disco, funk and 808 busines so that you can grooff to the max. and our mexican buddy soul of hex (vicario ltd, freerange) keeps it dark and loopy before adding some splendid riffs. time for the grooff machine!

voilaaa is one of the many projects led and produced by bruno patchworks hovart. . this time exploring the wide spectrum of the african and tropical disco scene, he received a massive international support for voilaaa s first album, on te l avait dit, released late 2015 on favorite recordings. following the success of on te l avait dit, and pursuing the same direction combining the festive, yet sometime futile nature of disco, and the instinctive, deep, sometimes rough nature of african music, voilaaa s now presenting its 2nd effort, des promesses.

zwei schwarze heavyweight lps im klappcover inkl. mp3-downloadkarte und poster + zwei vinyl only bonustracks.
zweitwerk des world music trios um folk-koryphäe james yorkston! das zweite album von yorkston/thorne/khan wird anfang april auf domino veröffentlicht. es folgt dem von kritikern gefeierten banddebüt “everything sacred” von 2016 und präsentiert einen zusammenspiel verschiedener strömungen wie dem nordindischen sarangi, jazz-gefärbtem bass mit reminiszenzen an danny thompson und einer akustik gitarre, die den folk- & blues-koryphäen elizabeth cotton, dick gaughan und mississippi john hurt tribut zollt – und drei sehr unterschiedlichen vokalisten: james yorkston (east neuk of fife), jon thorne (isle of wight) und suhail yusuf khan (neu delhi). “neuk wight delhi all-stars” ist eine sammlung von traditionellen indischen und britischen folksongs, wunderschönen originalen und eigenwilligen coverversionen, die nicht nur klassische musik aus indien und jazz zusammenbringt, es zitiert ebenfalls reggae, irischen dudelsack und den einfluss des madagassischen gitarristen d’gary. Über diese bandbreite sagt thorne: “i think ytk is a fine example of how music operates without boundaries as a common international language and a source of cross-cultural unity. it’s an important message in the times that we live in.”

zwei schwarze heavyweight lps im klappcover inkl. mp3-downloadkarte + einem vinyl only bonustrack.
zweitwerk des world music trios um folk-koryphäe james yorkston! das zweite album von yorkston/thorne/khan wird anfang april auf domino veröffentlicht. es folgt dem von kritikern gefeierten banddebüt “everything sacred” von 2016 und präsentiert einen zusammenspiel verschiedener strömungen wie dem nordindischen sarangi, jazz-gefärbtem bass mit reminiszenzen an danny thompson und einer akustik gitarre, die den folk- & blues-koryphäen elizabeth cotton, dick gaughan und mississippi john hurt tribut zollt – und drei sehr unterschiedlichen vokalisten: james yorkston (east neuk of fife), jon thorne (isle of wight) und suhail yusuf khan (neu delhi). “neuk wight delhi all-stars” ist eine sammlung von traditionellen indischen und britischen folksongs, wunderschönen originalen und eigenwilligen coverversionen, die nicht nur klassische musik aus indien und jazz zusammenbringt, es zitiert ebenfalls reggae, irischen dudelsack und den einfluss des madagassischen gitarristen d’gary. Über diese bandbreite sagt thorne: “i think ytk is a fine example of how music operates without boundaries as a common international language and a source of cross-cultural unity. it’s an important message in the times that we live in.”

brian abelson aka see other is one of the brightest talents in this field to emerge from new york in some time. he’s been honing and refining his style of brooding, purring, oscillating house rollers for some time. the final brew is humble mixture of low-slung smallville-esque house warmth, fred p level deepness and playful, tinkering wooden melodies that recall some of the finest work from the drumpoet community collective.
across this debut ep is a masterful grasp of the deep house template, with an array of hook-based elements that turn respectable raw bangers into transcendental experiences both at home and in the dance.
waitin is the modern classic, fallin is the party hammer, pushin is the soul & the feeling & the vibe, peter’s lament is the loving tender cuddle in a west coast hammock, change is the moody, sleep-deprived closer.

office vol. 10 ! versatility has got to be iron curtis second name. there are only few other producers on the electronic scene who are able to display such a variety of musical facets as this talented man from berlin. with his maple ep he underlines his reputation of an artist with many faces as his new release is quite a box of surprises: rarley have we heard iron curtis in such a dubby mood.
beginning with the straight and bass centered title track maple iron curtis moves on to the almost beatless and moody collision and the chord driven dub house of entago entery and finishes the ep with the delicate, ambient encore reset me on b2. with its impressive display of variety this record is a celebration of reduced, understated dub techno performed with a distinct musical flair and a clear artistic vision which perfectly fits label owner baaz direction of his office imprint so far. what s surprising is how effortless and natural iron curtis appearance on his long-time friend s record label feels. in such good shape his maple ep is a definitve tip for the lovers of sophisticated and detailed dub techno full of suspense.